Love Letter to the Fat Trout Trailer Park at Dusk

Dusk at the Fat Trout
Special Agent Chet Desmond Returns to the Fat Trout Trailer Park

When Twin_Petes  profiled me for his project, Une Me Solitaire: Fans in a Living NovelI briefly mentioned my favorite scene in all of Twin Peaks takes place around dusk at the Fat Trout Trailer Park in Deer Meadow. Why is this my favorite scene? Let’s take a closer look at a memorable two minutes from Twin Peaks: Fire Walk With Me.

Sam and Chet Discuss the Blue Rose
Agents Sam Stanley and Chet Desmond discuss the Blue Rose.

The scene begins when Special Agent Sam Stanley tells Agent Chet Desmond one thing that has been troubling him – the Blue Rose. He knows Agent Desmond is returning to the trailer park for the Blue Rose.

Like many, when I first saw Twin Peaks: Fire Walk With Me, I was boggled by the first 30 minutes. What did any of it have to do with Twin Peaks the television show?

Over the years, I have fallen in love with calm and cool Chet Desmond (Chris Isaak) and brilliant but aloof Sam Stanley (Kiefer Sutherland). Besides being a fan of Chris Isaak’s music (his catalog was the soundtrack to my college years), I adore the dreamlike, anti-“Twin Peaks” world that is Deer Meadow. In many ways, the first 30 minutes is my Blue Rose – a mystery I wanted to solve.

Blue Rose
The Blue Rose as worn by Lil the Dancer.

The scene cuts to a flashback of a faux Blue Rose pinned to Lil the Dancer’s  red dress at the private Portland airport from earlier in the film.

Agent Stanley knows Desmond must return to the trailer park to find the Blue Rose alone (in this case, to find Teresa Banks’ missing ring). Perhaps I relate to Desmond’s relentless determination (and obsession) with solving this “Blue Rose” case (ladies and gentlemen of the jury, may I present this entire website as exhibit A).

Fat Trout Trailer Park
Fat Trout Trailer Park sign.
Fat Trout Trailer Park
Fat Trout Trailer Park sign from when Desmond and Stanley question Carl Rodd.

The faux Blue Rose image fades to a close up shot of the Fat Trout Trailer Park sign. This image is a cropped shot from one seen earlier in the film when Desmond and Stanley first question Carl Rodd.  The cropped shot appears to have the same shadows as the full image.

The location of the Fat Trout Trailer Park was once found at 39531 SE Park Street in Snoqualmie, Washington. It’s since been demolished (more on that at another time).

Looking carefully below the trailer park sign, one can see another sign with a telephone number written in red. The number might be 363-8212 (no area code). A quick search turned up a matching number in Shorline, Washington – (206) 363-8212 – which rings Alliance Care Family Home, Inc. The area code for Snoqualmie is now 425, which was split from the parent area code 206 on April 27, 1997.

At the Fat Trout
Agent Desmond and Carl Rodd walking.

The sign scene cuts from daytime to dusk at the Fat Trout Trailer Park. Agent Desmond and Carl Rodd are seen walking toward the camera.

The haunting music used in this scene is titled “Back to the Fat Trout – Unease Motif (The Woods).” It was released as part of the Twin Peaks Archive in December 2011. This foreboding tune was included in a bundle of tracks from Twin Peaks: Fire Walk With Me as discussed on Ross Dudle’s outstanding website – Twin Peaks Soundtrack Design.

Unease Motif (The Woods) (Slow Speed Orchestra 2)” – The released version of this track is actually the reversed version (both were used in the series). The non-reversed version was also used as the base for the montage track “Night Life In Twin Peaks” on the original soundtrack.
Pointing Out Trailer and Truck
Rodd points out trailer and truck.
Deputy Cliff's Red Truck
Deputy Cliff’s red truck.

Desmond and Rodd stop just in front of a utility pole so he can point out Deputy Cliff’s trailer and red truck. Just look at that sky!!

Pointing to Teresa Banks' trailer
Pointing to Teresa Banks’ trailer.
Where's my goddamn hot water?
Margaret asks for hot water.

Agent Desmond clarifies the location of Teresa Banks’ trailer before Fat Trout Trailer Park resident Margaret (played by Margaret Adams) interrupts the conversation. She asks where is her “goddamn hot water,” so Carl excuses himself to address the situation (perhaps with Valium?).

Chet Desmond
Chet Desmond left alone.

While Carl and Margaret leave the scene, Agent Chet Desmond is left alone.  If you look behind him, it appears his car is parked in the background. The Chalfont’s trailer (which he has yet to visit) is also seen just over his shoulder.

Let's Rock
“Let’s Rock”

Desmond’s car was later found by Special Agent Dale Cooper and Carl Rodd with “Let’s Rock” written in red on the windshield.

Chet Desmond
Agent Chet Desmond alone in Fat Trout.

The colors are one of the major reasons why I love this scene. I love dusk. I love that moment just after the sun drops below the horizon yet night hasn’t completely descended. Just look at this image of Agent Desmond standing in the Fat Trout bathed in the light of dusk. Stunning!

Agent Desmond Looks Up
Something catches his eye.
Agent Desmond Looking Up
Desmond looking up.

Something catches Agent Desmond’s eye from above. He looks up.

Utility Pole
Utility pole at dusk.

He sees the top of a utility pole set against a purple-hued sky. Again, the colors in this scene are perfect!

Utility Pole
Utility pole during the day.

This is the same utility pole shown earlier when Carl Rodd is speaking to the FBI Agents inside Teresa Banks’ trailer.

Looking at the utility pole.
Desmond looks at the utility pole.
Wind Blows
Wind blows the curtains.

Desmond’s eyes travel down the utility pole and stop. If you look carefully in the window behind Chet, you’ll notice a slight breeze blowing the curtains in the open window.

Number 6
Number 6

This may be my favorite image from this entire sequence – the famous utility pole with the number “6” metal plaque shown.

Agent Desmond turns
Agent Desmond turns.
Chalfont's Trailer
The Chalfont’s trailer.

Desmond turns from the utility pole and sees a mysteriously empty trailer. The trailer appears to be a 19-foot travel trailer by Boles Areo from the 1960s (see this video for a comparison). The name of the trailer has been partially obscured.

Desmond walks

Desmond walks

Desmond Sees the Trailer

Agent Desmond heads toward the Boles Aero trailer. I love how the third shot is framed (especially with the license plate “V 220” shown to the right of the screen – Electricity!).

Chalfont's Trailer
Chalfont’s trailer.

Night is descending fast now as the scene cuts again to the Boles Aero trailer. The ominous empty trailer with all its lights on is such a haunting image.

Chet stares down the trailer
Chet Desmond stares down the trailer.

Chet Desmond enters the frame, staring down the trailer. Since the sun has fallen fast, it appears some muted external lighting was added to this scene to pick up the details.

Chet at the trailer

Chet knocking at the trailer

Chet looking in the window

Chet at the trailer

Chet cautiously approaches the trailer. He knocks at the door. No answer. He peeks through a window but no one is home. Then something under the trailer catches his eye.

Chet bending down.
Desmond bending down
Chet bent down
Chet bent down.

Chet bends down before the trailer, trying to get a better look at what is underneath.

The ring
A pile of dirt with the ring.

The camera cuts to a pile of dirt with Teresa Banks’ missing ring. The gold signet ring contain a symbol similar to one seen at Owl Cave. As a side note, I’m thrilled with the replica version created by Rocklove Jewelry and available on the Showtime Store. It’s close to the screen version (the green stone’s edges are slightly more rounded on screen than the replica ring).

Chet Reaches for the Ring
Chet Desmond reaches for the ring and disappears.

Special Agent Chet Desmond reaches for the ring and disappears. The scene ends.

While I was hopeful Chet’s fate would be addressed in Twin Peaks Season 3, no answer was given. I believe this makes me love this scene even more. Chester Desmond’s disappearance remains a mystery. It’s now a Blue Rose case, the very thing he returned to the Fat Trout Trailer Park to solve.

One thought on “Love Letter to the Fat Trout Trailer Park at Dusk

  1. Fantastic investigation and summation and of a chilling dusk-like reminder that once you enter the world of Twin Peaks, you’re now playing by ITS rules. Great stuff, Steven! Can’t wait to explore your blog more.

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